Read a review and critical analysis of You Can See Everything by film critic Brian Eggert on Deep Focus Review.

Sorkin frames the attack as a direct result of Zuckerberg’s policy to favor “meaningful social interactions,” which one character defines as “outrage bait,” instead of the customary likes. The Social ...

The Twin Cities Film Fest returns October 15-24 with more than 110 films, including awards-season contenders and projects by local filmmakers. TCFF, now in its seventeenth year, will also feature ...

The 22nd Zurich Film Festival runs from September 24 to October 4. Check here for the full lineup. Some films mentioned below will be reviewed separately in full-length write-ups, but for now, here ...

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Brian Eggert's essay about The Wicker Man provides an in-depth critical analysis, exploring its production, history, and ...

Christopher Nolan’s The Odyssey is an epic worthy of that name. Great artists from James Joyce to Stanley Kubrick have evoked Homer’s enduring poem, drawing on the text’s episodic storyline and ...

Somewhere between Hollywood and European arthouse cinema, between the twangy sounds of Tammy Wynette and the delicate piano of Fredrick Chopin, between blue-collar drudgery and upper-class conceit ...

Classic Hollywood productions rarely had two directors, and if they did, the result was a studio creation and not shaped by the vision of a single auteur. The exception is Singin’ in the Rain, the ...

Olivia Wilde’s The Invite, her third and best film as a director, opens with the sound of joy from a couple, Wilde and Seth Rogen, playing piano together. This memory of their blissful early ...