The endless rows of tulips made for a spectacular visual captured by Alice Brooks’ cinematography. The film’s opening number ...
“But we were never going for a witchy look,” she added about the making of Erivo’s character. “We were making it very real, ...
Nine million tulips of a variety of colors were grown in Norfolk, England to serve as the backdrop for Munchkinland in ...
The film’s production designer, Nathan Crowley, had nine million tulips planted to create the look of the magical village in ...
Production designer Nathan Crowley tells IndieWire about his Oz world-building, designing sets like the spinning shelves and ...
Today, AD welcomes production designer Nathan Crowley to explain how he designed the sets for ‘Wicked’. Through his extensive ...
He wanted it to be happy, and the Emerald City had to be this magical myth of the place that everyone wanted to get the ...
The two-part film adaptation of the hit Broadway musical was so massive, it needed 17 soundstages and four backlots.
Working with a farmer in Norfolk, England, production designer Nathan Crowley grew a field of real flowers in a rainbow of ...