Their best album since 2018's Loner has the same air of unrestrained chaos running through it. It is the antithesis to AI ...

Claude-Michel Schönberg and Alain Boublil’s Martin Guerre ran for 19 months at the Prince Edward Theatre from July 1996. It ...

The prolific creator's latest uses the Yamaha DX7 synthesiser to create 50 minutes of startlingly lovely music to soothe ...

Bengtsson’s soaring soprano and the LSO Chorus were magnificent – but the Barbican’s limitations hampered Pappano’s Mahler ...

Listening to Ella Thompson‘s album, Triumph And Sadness, feels like a bit of a throwback at times, in the nicest possible way ...

The follow-up to 2024's A Devastating Turn Of Events swaps the jangly guitars and indie hooks for a more polished pop ...

The outfit's fourth album explores nostalgia, childhood imagery, and the hypnotic power of modern advertising. As a ...

The latest thoughtfully erudite missive from Mark Everett and co comes with a title inspired by a quote from, of all entities ...

Kip Williams' video-heavy staging and a committed cast, led by an outstanding Matthew McKinney, make a strong impression in ...

McCambridge played his first show as Arborist supporting James Yorkston as this feels a good reference point, both artists ...

It sees Moffat find grains of hope among the surrounding darkness and is arguably as close to a love song as Arab Strap get – ...

Neal Cooper’s noble Tristan and Cara Mchardy’s impassioned Isolde crowned an evening of rare flow and conviction ...