New Adventures in Sound Art (NAISA) invites artists of all ages and nationalities to submit works on the theme ”Still Here” for consideration in New Adventures in Sound Art’s 2027 programming. After ...

“Imagine if we could begin our little life all over again. Imagine if it was all nothing more than some electronic game. Imagine if I knew then what I know now.” —Deus Ex Machina, Automata, 1984 If ...

This essay was originally published November 2022 as a chapter in the book Documentation as Art, edited by Annet Dekker and Gabriella Giannachi. In the preservation of digital art, documentation is ...

This is the first post in a series on the queer history of computing, as traced through the lives of five foundational figures. It is both an attempt to make visible those parts of a history that are ...

The latest in a series of interviews with artists who have developed a significant body of work engaged (in its process, or in the issues it raises) with technology. See the full list of Artist ...

Courtesy grouphab.it and Harm van den Dorpel. An extended and altered version of this text will be published in... You Are Here: Looking at After the Internet (Cornerhouse Books 2014), edited by Omar ...

In this third segment of our genealogy we begin to form a connection, and to examine those lesser-known but foundational figures that radiate out from Turing's early work. Perhaps appropriately, given ...

Back in March, Rhizome relaunched its Microgrant program, inviting proposals for Browser-based projects and pitches for articles about works of born-digital art in the Rhizome ArtBase. Our staff ...

Pete Jiadong Qiang, Queer Maximalism HyperBody (2020). Game level Pinkray, Pinkray plush dolls, VR gameplay screenshot. Courtesy of the artist and CheeseTalk. The latest in a series of interviews with ...

Screenshot of VVORK post from April 2006, as archived by Rhizome. Today, Rhizome unveils a new archive of the contemporary art blog VVORK (2006-2012), in which we demonstrate a novel solution to the ...

This essay accompanies the presentation of Electronic Disturbance Theater's FloodNet as a part of the online exhibition Net Art Anthology. What is the relationship between data bodies and real bodies?

Kristoffer Skorstengaard Tjalve: Daniel, we first started talking when I invited you to speak at Naive Yearly. During one of our calls, you said that the internet is really good at being big and small ...