The William Center’s chamber music series opens Sunday at Lafayette College in Easton with the bold sound of the intrepid Prism Saxophone Quartet. For nearly three decades, the group has taken the ...

The Lamont Saxophone Quartet plays in the CPR Performance Studio. The Lamont Saxophone Quartet plays a concert looking at 100 years of sax quartet music on Friday at the Newman Center. Art Bouton, who ...

Performances in N.Y.C. Advertisement Supported by By Vivien Schweitzer THE saxophone, invented by the Belgian-born instrument maker Adolphe Sax around 1840, has seldom achieved prominence in the ...

Since inception, the Origin Classical imprint has existed as a stylistic hinge between classical music and jazz. Defying genre definition, Origin Classical's archive should properly be considered ...

The saxophone is probably the one musical instrument that we most associate with this thing we call jazz, yet it is perhaps the last instrument that comes to mind when we think of classical music. The ...

We meet an award-winning saxophone quartet from Texas. A teen flutist who is also a talented figure skater performs Faure. An impressive 16-year-old performs a piece by a guitarist/composer who ...

Saxophones are known for their sultry, smooth tones, from almost whistling highs to brassy lows. One alone can play a wide variety of genres and songs, but four in an ensemble open up a world of ...

YORK saxophone quartet Sax Forte present music from the 17th to the 21st century at the York Unitarians' Last Fridays lunchtime recital on March 29. Arranged for four saxophones, the "entertaining and ...

Since the 1840s, when the saxophone was invented by Adolphe Sax, the wind instrument named after him has become a key component of jazz groups ranging from big bands to small combos. It was also a ...

We travel back to the 18th century in this Expressions extra clip as the Empire Saxophone Quartet perform Domenico Scarlatti's 'Sonata No. 44'. Scarlatti was a well known Italian composer who dabbled ...

Classical saxophonist Sigurd M. Rascher, who devoted his life to redeeming his instrument from what he once bemoaned as its stereotype as an emitter of “vulgar, obtrusive sound,” has died. He was 93.