As the houselights dim at the Metropolitan Opera, the Julie Taymor–directed The Magic Flute transports viewers into a buoyant and kaleidoscopic fairy-tale dreamworld. This abridged, English-language ...

Directed by Nashville Opera CEO & Artistic Director John Hoomes, The Magic Flute will be presented April 12 and 13 at the Tennessee Performing Arts Center's Jackson Hall. With sumptuous costumes ...

Performances in N.Y.C. Advertisement Supported by Critic’s Notebook The Cleveland Orchestra’s staging of Mozart’s “The Magic Flute” was a reminder that ensembles can help fill the gap as opera grows ...

Editor’s Note: This article was photographed for Mosaic, an independent journalism training program for high school students who report and photograph stories under the guidance of professional ...

Lyrical Opera Theater presents Mozart’s beloved The Magic Flute. Lyrical Opera Theater brings Mozart’s timeless masterpiece The Magic Flute to the stage. Executive Director Lynnette Owens shares how ...

Soprano Laura León rehearses her Queen of the Night role with her counterpart, Ricardo García, as Tamino in Florida Grand Opera’s production of Mozart’s “The Magic Flute” playing at the Arsht Center ...

The first time we see the Queen of the Night in Arizona Opera’s “The Magic Flute,” she is perched above the stage, astride a camel with angelic wings. The beast, hanging from ropes, lands with a quiet ...

A remarkable synergy of musical and visual storytelling enlivens Seattle Opera’s current production of “The Magic Flute,” running through March 9. Initially created in 2012 by Australian director ...

Performances in N.Y.C. Julie Taymor’s abridged production of Mozart’s opera has been trimmed down to 90 minutes as the Metropolitan Opera bids to recruit a new generation. Credit... Supported by By ...

Rainelle Krause, the coloratura soprano who has died after surgery aged 37, was a reigning Queen of the Night in opera houses ...

I know that McBurney’s busy, tricksy take on the mystical pantomime of Mozart’s sublime farewell to the stage did not win blanket approval first time round (not least from my colleague David Nice).